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Scrambled eggs
Project type
Performance documented in Polaroid
Date
2026 (ongoing)
Location
Mexico
In this series of Polaroids, the artist walks the streets of Puebla performing the gesture popularly known as “painting eggs.” Originating from the culture of double entendres and Mexican body language, it is one of the most recognizable signs of Mexican popular language.
Roland Barthes (1957) proposes that gestures, like myths, are not natural but cultural: they are historically constructed systems of meaning that are presented as self-evident and inevitable. “Painting eggs” is precisely that: a cultural sign that condenses into a single hand movement an entire genealogy of masculinity, provocation, and Mexican popular language. What the artist does in this piece is subject this sign to field study, introducing it into everyday contexts and observing how it transforms upon contact with different interlocutors.
For this piece, she takes this common gesture to the streets, directing it at both acquaintances and strangers, Polaroid in hand, capturing their reactions immediately afterward.
The most significant finding of the piece is that every person photographed, without exception, returns the gesture. In this exchange, something fundamental occurs: the gesture mutates. What began as an insult becomes complicity. Reciprocity redefines it: it is no longer a unilateral provocation but a shared language, a mutual recognition that operates outside the norms of urban decorum.
However, the artist is aware that this transformation is not neutral. Her white appearance before the world grants her the privilege of walking the streets painting eggs and having them received in a non-confrontational manner. What in another body, in another social position, would mean a guaranteed confrontation, from a position of privilege becomes an almost comical occurrence. The piece thus exposes, with simultaneous humor and discomfort, how the meaning of a gesture resides not only in the gesture itself, but in who performs it and from what perspective.
Bibliography:
Barthes, R. (1957). Mythologies. Éditions du Seuil. [Spanish translation: Mythologies. Siglo XXI Editores, 1980.]

























